Blinking Spaces in Contemporary Psychogeographical Documentaries
| dc.contributor.affiliation | Universidade de Santiago de Compostela. Departamento de Historia da Arte | |
| dc.contributor.affiliation | Universidade de Santiago de Compostela. Facultade de Xeografía e Historia | |
| dc.contributor.affiliation | Universidade de Santiago de Compostela. Instituto de Investigación en Humanidades (iHUS) | |
| dc.contributor.author | Villarmea Álvarez, Iván | |
| dc.contributor.editor | Rosário, Filipa | |
| dc.contributor.editor | Villarmea Álvarez, Iván | |
| dc.date.accessioned | 2026-02-18T08:18:37Z | |
| dc.date.available | 2026-02-18T08:18:37Z | |
| dc.date.issued | 2019 | |
| dc.description | Este capítulo foi unha extensión da miña investigación de doutoramento arredor dos dispositivos de representación das transformacións urbanas e espaciais e está incluido no segundo volume colectivo que coeditei, 'New Approaches to Cinematic Space', durante os meus anos de investigador posdoutoral. A editorial deste volume, Routledge, ocupaba en 2022 a segunda posición do ránking xeral de editoriais estranxeiras do SPI cunha valoración ICEE de 1126. Ademais, segundo cifras de Google Scholar, foi citado cando menos en 2 textos académicos. | |
| dc.description | This is an Accepted Manuscript of a book chapter published by Routledge/CRC Press in New Approaches to Cinematic Space on 2019, available online: https://www.routledge.com/New-Approaches-to-Cinematic-Space/Rosario-VillarmeaAlvarez/p/book/9780367663353. It is deposited under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way | |
| dc.description.abstract | Blinking spaces are a particular type of cinematic space in which the past and present incarnations of a film location are simultaneously depicted. They are particularly useful to expose the trace of the past in the present, especially in those psychogeographical documentaries that show abandoned places as both lived spaces and historical locations. The close analysis of three of these films –'California Company Town' (Lee Anne Schmitt, 2008), 'Ruínas' (Manuel Mozos, 2009) and 'Toponimia' (Jonathan Perel, 2015)– will allow us to better understand the process through which the identity of a place is shaped by the slow sedimentation of emotional and historical meanings. | |
| dc.description.sponsorship | Universidade de Santiago de Compostela (USC, Galiza) | |
| dc.description.sponsorship | Centro de Estudos Comparatistas (CEComp), Faculdade de Letras da Universidade de Lisboa (FLUL) | |
| dc.description.sponsorship | Consellería de Cultura, Educación e Ordenación Universitaria; Xunta de Galicia | |
| dc.identifier.citation | Villarmea Álvarez, I. 2019. Blinking Spaces in Contemporary Psychogeographical Documentaries. En Rosário, F. & Villarmea Álvarez, I. (eds.), New Approaches to Cinematic Space (pp. 111 - 128). Routledge. | |
| dc.identifier.doi | 10.4324/9780429468490 | |
| dc.identifier.isbn | 9781138604445 | |
| dc.identifier.uri | https://hdl.handle.net/10347/45950 | |
| dc.language.iso | eng | |
| dc.publisher | Routledge | |
| dc.relation.ispartofseries | Routledge Advances in Film Studies | |
| dc.relation.publisherversion | https://doi.org/10.4324/9780429468490 | |
| dc.rights | © 2019 Taylor & Francis. This work is under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way | |
| dc.rights.accessRights | open access | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
| dc.subject | Film Studies | |
| dc.subject | Non-Fiction Film | |
| dc.subject | Cinematic Space | |
| dc.subject | Hito Steyerl | |
| dc.subject | Lee Anne-Schmitt | |
| dc.subject | Manuel Mozos | |
| dc.subject | Jony Perel | |
| dc.subject.classification | 620301 Cinematografía | |
| dc.subject.classification | 550602 Historia del arte | |
| dc.title | Blinking Spaces in Contemporary Psychogeographical Documentaries | |
| dc.type | book part | |
| dc.type.hasVersion | AM | |
| dspace.entity.type | Publication | |
| relation.isAuthorOfPublication | d76df7ea-872f-41ac-b270-4e5cd655821a | |
| relation.isAuthorOfPublication.latestForDiscovery | d76df7ea-872f-41ac-b270-4e5cd655821a | |
| relation.isEditorOfPublication | d76df7ea-872f-41ac-b270-4e5cd655821a | |
| relation.isEditorOfPublication.latestForDiscovery | d76df7ea-872f-41ac-b270-4e5cd655821a |
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