Empathy: diseño de un proyecto teatral sobre la cultura LGTBIQ+ para alumnos de enseñanza secundaria y Bachillerato
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[ESP]
El siguiente Trabajo de Final de Máster tiene como objeto presentar la creación de un proyecto cultural bajo el título Empathy. Se trata de un proyecto que combina la creación teatral, la lucha del colectivo LGTBIQ+ y el ámbito educativo. La potencialidad teatral, según creemos, favorece un espacio de reflexión y de creación con el que tejer un discurso vivencial que permite escuchar las voces y visualizar los cuerpos del colectivo oprimido. Para idear el proyecto, los tres pilares fundamentales en materia metodológica han sido Roselló (2017), el Teatro de lo Oprimido de Boal (2002), y la compañía británica DV8. A lo largo del presente trabajo desarrollaremos el diseño completo de todas las partes que componen el proyecto cultural Empathy.
[EN] The following Master's Thesis aims to present the creation of a cultural project under the title Empathy. It is a project that combines theatrical creation, the fight of the LGTBIQ+ collective and the educational field. The theatrical potentiality, as we believe, favors a space for reflection and creation to make an experiential discourse that allows the voices and the bodies of the oppressed group to be heard and visualized. To devise the project, the three fundamental pillars in methodological matter have been Roselló (2017), Boal's Theater of the Oppressed (2002) and the British company DV8. Throughout this work we will develop the complete design of all the parts that make up the Empathy cultural project.
[EN] The following Master's Thesis aims to present the creation of a cultural project under the title Empathy. It is a project that combines theatrical creation, the fight of the LGTBIQ+ collective and the educational field. The theatrical potentiality, as we believe, favors a space for reflection and creation to make an experiential discourse that allows the voices and the bodies of the oppressed group to be heard and visualized. To devise the project, the three fundamental pillars in methodological matter have been Roselló (2017), Boal's Theater of the Oppressed (2002) and the British company DV8. Throughout this work we will develop the complete design of all the parts that make up the Empathy cultural project.
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Traballo Fin de Master en Servizos Culturais. Curso 2021-2022
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