Acciones (in) diferentes, tensiones latentes. A propósito de feminismo y “novo cinema galego”
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ISSN: 1696-2508
E-ISSN: 2173-1071
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Universidad de Sevilla. Secretariado de Publicaciones
Abstract
¿Existen lazos invisibles entre un acontecimiento que se da a ver con el apelativo
Novo Cinema Galego (NCG) y determinadas prácticas que singularizan el cinema que
identi!camos como feminista? Bajo este interrogante iniciamos una re"exión para, de
con!rmarse esa analogía, ponernos a pensar por qué esta “!liación” no se verbaliza por
parte de la crítica. Lo situamos, por tanto, en el marco de una sospecha a la que pusimos
por título: “Tensiones latentes, prácticas (in)diferentes”
Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identi!ed as feminist? Following this link, we propose a re"ection the reasons why critics tend to ignore such relation. Therefore, our text derives from a suspicion that has been entitled (In) different actions, latent tensions”
Are there invisible ties between an event linking the movement known as Novo Cinema Galego (NCG) and certain practices singling out a kind of cinema identi!ed as feminist? Following this link, we propose a re"ection the reasons why critics tend to ignore such relation. Therefore, our text derives from a suspicion that has been entitled (In) different actions, latent tensions”
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Bibliographic citation
Margarita LEDO ANDION, "Acciones (in) diferentes, tensiones latentes. A propósito de feminismo y “novo cinema galego”", IC: Revista Científica de Información y Comunicación, núm. 13 (2016), págs. 67-84, DOI:10.12795/IC.2016.i01.0 2
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http://dx.doi.org/10.12795/IC.2016.i01.02Sponsors
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Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported








