El Camino de Santiago en NO-DO: diálogo antropológico sobre el poder en el cine franquista
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Rotur. Revista de Ocio y Turismo
Abstract
El objetivo de este artículo es servir de aproximación al material cinematográfico relativo a Santiago de Compostela y el camino de peregrinación (sea este bajo la categoría de «Camino de Santiago» o todavía no) que a partir de 1943 fue producido y proyectado por NO-DO; organismo cinematográfico de propaganda del franquismo. Se parte de la hipótesis de que el significado simbólico secularizado asociado al “Camino” en la actualidad, las prácticas y usos que hoy se asocian a él y el desarrollo promocional de la ruta por su interés patrimonial y cultural fueron narrativas presentadas en NO-DO a partir del temprano año de 1965, apuntando directamente a la figura de Manuel Fraga Iribarne como arquitecto del proyecto y marca “Camino de Santiago”. El organismo cinematográfico del régimen apunta a esta fecha como significativa en el estudio de los procesos de reinvención por resignificación simbólica pero también en el estudio de los usos, prácticas e impactos asociados a la ruta de peregrinación jacobea desde el franquismo hasta la actualidad en un proceso de arquitectura turística que cristalizó y despegó con claridad en el año 1993, primer Año Xacobeo
NO-DO was the cinematographic organ of propaganda of the Franco regime. The aim of this article is to analyse NO-DO footage related to Santiago de Compostela and the Santiago pilgrimage route produced and screened by the state-controlled newsreel company from 1943 onwards. The study is based on the hypothesis that the secularised symbolic meaning, practices and uses associated with the pilgrimage today, together with the promotional narrative of its heritage and cultural interest, were already found in NO-DO as early as 1965, with Manuel Fraga Iribarne as chief architect of the project and the Camino de Santiago brand. In terms of the narrative promoted by NO-DO, 1965 marks a turning point in the reinvention of the regime by symbolic resignification and in the uses, practices and impacts associated with the Jacobean pilgrimage route from the Franco regime to the present. The process crystallised in 1993 with the celebration of the first ‘Jacobean Year’
NO-DO was the cinematographic organ of propaganda of the Franco regime. The aim of this article is to analyse NO-DO footage related to Santiago de Compostela and the Santiago pilgrimage route produced and screened by the state-controlled newsreel company from 1943 onwards. The study is based on the hypothesis that the secularised symbolic meaning, practices and uses associated with the pilgrimage today, together with the promotional narrative of its heritage and cultural interest, were already found in NO-DO as early as 1965, with Manuel Fraga Iribarne as chief architect of the project and the Camino de Santiago brand. In terms of the narrative promoted by NO-DO, 1965 marks a turning point in the reinvention of the regime by symbolic resignification and in the uses, practices and impacts associated with the Jacobean pilgrimage route from the Franco regime to the present. The process crystallised in 1993 with the celebration of the first ‘Jacobean Year’
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Busto Miramontes, B. (2022). El Camino de Santiago en NO-DO: diálogo antropológico sobre el poder en el cine franquista. Rotur. Revista de Ocio y Turismo, 16(2).
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https://doi.org/10.17979/rotur.2022.16.2.9080Sponsors
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