Visual threats and visual efficacy: ideas of image reception in the arguments of Lucas Tudense about the changes in the Crucifixion (c.1230)
Loading...
Identifiers
Publication date
Authors
Advisors
Tutors
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Multidisciplinary Digital Publishing Institute (MDPI)
Metrics
Export
Abstract
In this paper, I examine the ideas regarding image reception that can be extracted from the
De altera uita, a theological treatise written by the Iberian bishop Lucas de Tui in ca. 1230. In this book, he devotes one chapter to rejecting the changes that were taking place at the time in the image of the Crucifixion, especially concerning the variation in the number of nails and the shape of the cross. I will show that this text provides illuminating references regarding image reception, mainly through Lucas’s concerns about the visual misleading of the faithful and their devotional responses to artworks. By examining this work, which I will set against the theological and devotional background of its time, I will argue that this treatise reflects the importance of sight within the religious experienc of late-medieval Europe
Description
Bibliographic citation
Sara Carreño, “Visual Threats and Visual Efficacy: Ideas of Image Reception in the Arguments of Lucas Tudense about the Changes in the Crucifixion (c.1230)", Religions, 13(9):779 (2022). https://doi.org/10.3390/rel13090779
Relation
Has part
Has version
Is based on
Is part of
Is referenced by
Is version of
Requires
Publisher version
https://doi.org/10.3390/rel13090779Sponsors
This scientific publication is part of a project that has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation program (Grant agreement No. 950248). The project, entitled “The Sensuous Appeal of the Holy. Sensory Agency of Sacred Art and Somatised Spiritual Experiences in Medieval Europe (12th–15th century)-SenSArt” (PI Prof. Zuleika Murat) is being carried out at the Department of Cultural Heritage of the University of Padua in 2021–2026.
Rights
© 2022 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https:// creativecommons.org/licenses/by/ 4.0/)