Talavera: Una cerámica a ambos lados del Atlántico. Origen y presente de la loza talaverana en España y México
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Universidad de Tarapacá. Departamento de Ciencias Históricas y Geográficas
Abstract
En diciembre de 2019 el Comité Intergubernamental para la Salvaguardia del Patrimonio Cultural Inmaterial, reunido en Bogotá, materializó un proyecto que había comenzado siete años antes. Desde ese momento, los procesos artesanales de la cerámica de Talavera de la Reina y El Puente del Arzobispo, situados al oeste de la provincia de Toledo (España), fueron incluidos en la Lista Representativa del Patrimonio Cultural Inmaterial de la Humanidad. La UNESCO localizaba, sin embargo, la cerámica de Talavera, en un mapa mundial, a ambos lados del Atlántico y, junto a estos dos centros productivos en Europa, también aparecían los estados de Tlaxcala y Puebla, en el altiplano mexicano. Una técnica artesanal alcanzaba así, el máximo reconocimiento internacional a través de su proyección sobre cuatro territorios diferenciados, pero con una historia entreverada. El presente texto pretende mapear, en perspectiva antropológica, el decurso histórico de la cerámica de Talavera hasta alcanzar la meta de engrosar la lista del patrimonio que ha de ser salvaguardado para el futuro.
In December 2019, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, meeting in Bogota, materialized a project that had begun seven years earlier. From that moment on, the ceramic craft processes of Talavera de la Reina and El Puente del Arzobispo, located in Western Toledo (Spain), were included in the Representative List of the Intangible Cultural Heritage of Humanity. UNESCO, however, located Talavera ceramics on a world map on both sides of the Atlantic and, together with these two production centers in Europe, the states of Tlaxcala and Puebla, in the Mexican highlands, also appeared. A craft technique thus achieved maximum international recognition through its ramifications over four different territories but with an interwoven history. The present text intends to map, from an anthropological perspective, the historical course of Talavera ceramics until it reaches the goal of adding it to the list of heritage to be safeguarded for the future.
In December 2019, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, meeting in Bogota, materialized a project that had begun seven years earlier. From that moment on, the ceramic craft processes of Talavera de la Reina and El Puente del Arzobispo, located in Western Toledo (Spain), were included in the Representative List of the Intangible Cultural Heritage of Humanity. UNESCO, however, located Talavera ceramics on a world map on both sides of the Atlantic and, together with these two production centers in Europe, the states of Tlaxcala and Puebla, in the Mexican highlands, also appeared. A craft technique thus achieved maximum international recognition through its ramifications over four different territories but with an interwoven history. The present text intends to map, from an anthropological perspective, the historical course of Talavera ceramics until it reaches the goal of adding it to the list of heritage to be safeguarded for the future.
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Cipriano, C., Freire, E. (2024). Talavera: Una cerámica a ambos lados del Atlántico. Origen y presente de la loza talaverana en España y México. Diálogo Andino, 73, pp. 50-64
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http://dialogoandino.cl/index.php/numero-73-2024/Sponsors
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