Villarmea Álvarez, IvánRosário, FilipaVillarmea Álvarez, Iván2026-02-182026-02-182019Villarmea Álvarez, I. 2019. Blinking Spaces in Contemporary Psychogeographical Documentaries. En Rosário, F. & Villarmea Álvarez, I. (eds.), New Approaches to Cinematic Space (pp. 111 - 128). Routledge.9781138604445https://hdl.handle.net/10347/45950Este capítulo foi unha extensión da miña investigación de doutoramento arredor dos dispositivos de representación das transformacións urbanas e espaciais e está incluido no segundo volume colectivo que coeditei, 'New Approaches to Cinematic Space', durante os meus anos de investigador posdoutoral. A editorial deste volume, Routledge, ocupaba en 2022 a segunda posición do ránking xeral de editoriais estranxeiras do SPI cunha valoración ICEE de 1126. Ademais, segundo cifras de Google Scholar, foi citado cando menos en 2 textos académicos.This is an Accepted Manuscript of a book chapter published by Routledge/CRC Press in New Approaches to Cinematic Space on 2019, available online: https://www.routledge.com/New-Approaches-to-Cinematic-Space/Rosario-VillarmeaAlvarez/p/book/9780367663353. It is deposited under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any wayBlinking spaces are a particular type of cinematic space in which the past and present incarnations of a film location are simultaneously depicted. They are particularly useful to expose the trace of the past in the present, especially in those psychogeographical documentaries that show abandoned places as both lived spaces and historical locations. The close analysis of three of these films –'California Company Town' (Lee Anne Schmitt, 2008), 'Ruínas' (Manuel Mozos, 2009) and 'Toponimia' (Jonathan Perel, 2015)– will allow us to better understand the process through which the identity of a place is shaped by the slow sedimentation of emotional and historical meanings.eng© 2019 Taylor & Francis. This work is under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any wayhttp://creativecommons.org/licenses/by-nc-nd/4.0/Film StudiesNon-Fiction FilmCinematic SpaceHito SteyerlLee Anne-SchmittManuel MozosJony Perel620301 Cinematografía550602 Historia del artebook part10.4324/9780429468490open access