RT Book,_Section
T1 The voice of the opera singer and its protection: Another look at the Maria Callas case
T2 Law and Opera
A1 Ammerman Yebra, Julia
A2 Annunziata, Filippo
A2 Colombo, Giorgio Fabio
K1 Voice
K1 Rights
K1 Opera
K1 Callas
K1 Heirs
AB It is undeniable the identifying potential every human voice exhibits, especially concerning certain public figures and professionals, as occurs with renowned opera singers. Therefore, the purpose of this paper is to analyze the protection granted to the voice, and its possible incardination within the personality rights, on the basis of the judgment in the case of the Tribunal de Grande Instance of Paris of 19 March 1982, in which the heirs of the internationally celebrated singer Maria Callas filed a claim for damages against the capture and reproduction of the singer’s voice without their consent.
PB Springer
SN 9783319686486
YR 2018
FD 2018
LK https://hdl.handle.net/10347/39256
UL https://hdl.handle.net/10347/39256
LA eng
NO Ammerman Yebra, J. (2018). The Voice of the Opera Singer and Its Protection: Another Look at the Maria Callas Case. In: Annunziata, F., Colombo, G. (eds) Law and Opera. Springer, Cham. https://doi.org/10.1007/978-3-319-68649-3_17
DS Minerva
RD 24 abr 2026