Contribuciones del documental interactivo a la renovación de las narrativas periodísticas: realidades y desafíos
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ISSN: 1138-5820
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Universidad de La Laguna
Abstract
Introducción: El ciberperiodismo encuentra en la no ficción interactiva un lugar adecuado para el desarrollo de los relatos. Los medios adoptan las nuevas formas interactivas e híbridas para enfrentarse al desafío de Internet y dar respuesta a las necesidades de unas audiencias más activas y permanentemente conectadas. Metodología: En este artículo, se presentan los resultados del análisis cualitativo de diez documentales interactivos publicados entre los años 2010 y 2016. Al mismo tiempo, se identifican tendencias en la renovación del periodismo junto a la propuesta de parámetros basados en la caracterización de esta forma narrativa. Resultados y conclusiones: El documental interactivo se encuentra en una fase de diversificación, ya consolidado en países como Francia, Estados Unidos y Canadá. En referencia a las características del género, se percibe un notable desarrollo y un destacado potencial, en contraste con el reto que supone un contexto en cambio
Introduction: Online journalism finds in interactive nonfiction an appropriate place for the development of stories. The media adopt new interactive and hybrid forms to face the challenge of the Internet and to respond to the needs of more active and permanently connected audiences. Methodology: In this article, the results of the qualitative analysis of ten interactive documentaries published by international media between the years 2010 and 2016 are presented. At the same time, renewal trends in journalism are identified along with the proposal of parameters based on the characterization of this narrative form. Results and conclusions: Interactive documentary is in a diversification phase, already consolidated in countries like France, the United States and Canada. With reference to the features of the genre, a notable development and an outstanding potential have been perceived, in contrast to the challenge that represents a changing context
Introduction: Online journalism finds in interactive nonfiction an appropriate place for the development of stories. The media adopt new interactive and hybrid forms to face the challenge of the Internet and to respond to the needs of more active and permanently connected audiences. Methodology: In this article, the results of the qualitative analysis of ten interactive documentaries published by international media between the years 2010 and 2016 are presented. At the same time, renewal trends in journalism are identified along with the proposal of parameters based on the characterization of this narrative form. Results and conclusions: Interactive documentary is in a diversification phase, already consolidated in countries like France, the United States and Canada. With reference to the features of the genre, a notable development and an outstanding potential have been perceived, in contrast to the challenge that represents a changing context
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J Vázquez-Herrero, MC Negreira-Rey, X Pereira-Fariña (2017): “Contribuciones del documental interactivo a la renovación de las narrativas periodísticas: realidades y desafíos”. Revista Latina de Comunicación Social, 72, pp. 397 a 414.
http://www.revistalatinacs.org/072paper/1171/21es.html.
DOI: 10.4185/RLCS-2017-1171
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http://doi.org/10.4185/RLCS-2017-1171Sponsors
This article has been developed within the research project Uses and informative preferences in the new media map in Spain: journalism models for mobile devices (Reference: CSO2015-64662-C4-4-R) funded by Ministry of Economy and Competitiveness (Government of Spain) and co-funded by the ERDF structural fund, as well as it is part of the activities promoted through the International Research Network of Communication Management – XESCOM (Reference: ED341D R2016/019), supported by Consellería de Cultura, Educación e Ordenación Universitaria of Xunta de Galicia
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(c) The author(s), 2017. Published by Revista Latina de Comunicación Social under a Creative Commons Reconocimiento-No comercial-Sin obras derivadas 3.0 España License








